Johnny’s, the true place

23 February 2010

Written by my friend Nichol with whom I shared a few too many shots at Johnny’s.

I don’t know what to say about Johnny’s. I don’t know how many hours I have spent there. How many dollars drunk and how many songs played on the juke box. Christmas Day one year, right before I got married, right after I got married, to celebrate my grad school graduation, to celerate the birth of my daughter, the arrival of a friend and her departure a few months later. To celebrate that it was Tuesday, to console a friend, to mend a heart, to drink because it was quittin time or because it was noon. Once, some guy tried to sell me a green laser from the eye ward at St. Vincents, it could burn a hole in a garbage bag or paint a plane 15000 feet in the air. The next night, someone else tried to sell me a watch that was full of lighter fluid and when you started the stop watch a little flame came out of the other side. I helped someone write a pretzle cookbook. Two strangers helped pick out baby names for my first kid. A co-worker barfs tequilla shots. Some girl gets naked in a window across the street. You walk in and your brother’s sitting at the bar, or your best friend, or a total stranger that is just as happy to see you as anyone else is ever going to be.

I was born in NY. And I love it. But I also know enough to know, it’s a fucking horrible city, drowning in a pestilence of unsustainable capitalist angst. Velvet ropes holding back the 20 year old sluts in short dresses trying to fuck the next partner at Goldman, meatheads and uberhipsters chasing a pair of legs or a purer line of powder in the bathroom. The streets are crowded by ceaseless illusions. Strippers on stages. Restless competition. A neverending stream of unforgivable trespasses. Infinite objectification, specialization, untraceable trends; it is a city designed to destroy love and make simplicity complicated and everything commercial.

Johnny’s is the only place I’ve ever found that wasn’t that. The only place that was safe, or mostly so, from the insanity of the city outside. Yeah, sure, occasionally a bartender flashes her tits when things get late at night, or someone gets a little finger business at the other end of the bar, but for the most part, Johnny’s is where true denizens of the city find a place that is loud enough and not too quiet, to drink and share. To be themselves, to relax, to be whole at the bottom of a bottle.

I don’t know what it is that makes Johnny’s what it is. Maybe it is the bartenders. They are phenomenal. Vonya, Zach. Christie! Maybe it’s the simplicity of the place. The open window on the street and a summer breeze blowing in. Huddling together outside for a smoke at 2 in the December morning. Maybe it’s because it’s cheap. Maybe it’s because there’s a drawing of a robot on the wall of the bathroom. Or maybe it’s the regulars who drink there. A playwright working a script in the corner, a mechanic talking about overhead cams and gear ratios. A comedian and a day trader. Some punk rock guy doing shots. A nurse. A delivery guy, taking a break between rounds. I don’t know. And the best part is, if you wanna be a regular, all you gotta do is walk in, drink what you want, and if you get hungry, order delivery. Sit at the bar, play a song, whatever. Do it again the next day and that’s all it takes.

Who knows what it is, where that magic comes from. I don’t know. And I don’t even spend that much time in there. All I know is that Johnny Cash is on the juke box and so is Avril Lavigne, they make me rum punches or bloody mary’s when I ask for ‘em, they keep a tally on the board for people who buy me a drink, and I can sit in the window as long as I like with as many of my friends as I can fit inside.

Nothing could better describe my state of mind right now.

Ray Barretto (April 29, 1929 – February 17, 2006) was a Grammy Award-winning Puerto Rican jazz musician, widely credited as the godfather of Latin jazz.

This is a great cover of Stevie Wonder’s Pastime Paradise I discovered thanks to my friend Chris, an expert in great music.

In case you wanna check out Stevie’s original version.

thesixtyone

24 January 2010

I just came across thesixtyone: it’s a sort of continuous radio of emerging musicians. The design of the website and its simplicity are awesome.

I set it up as my internet home page and I finally enjoy good music every day without having to worry about logins, subscriptions or pop ups.

In their own words:
On thesixtyone, new artists make music and listeners decide what’s good. We’re nurturing a growing ecosystem where talented folks can sell songs and merchandise directly to their fans. Unlike a record or distribution deal where they only make $1-2 per album (if they ever get paid, that is), artists on thesixtyone make at least $7 per album and are paid every 30 days — no wait for recoupment and no complex royalty schemes! We’re named after Highway 61, a U.S. route that runs along the Mississippi River and marks the origin of American music culture. Muddy Waters, Bob Dylan and B.B. King rode the 61. Elvis grew up in the housing projects along it. Highway 61 was the road by which people left their homes to take their music to the world. thesixtyone, inc. was created in 2008 on the basis of yielding the highest annual dividend of auditory happiness for our shareholders across the universe.

Shadows in the rain

13 January 2010

This is possibly my favorite tune of all time. Listen to it till the end, listen to it multiple times and marvel.

Sting is great as usual, the rest of the band is simply out of the ordinary. The playing is sublime. This is music at its finest.

Sting (Vocals & Guitar) Omar Hakim (Drums) Darryl Jones (Bass) Kenny Kirkland (Keys) Branford Marsalis (Sax) Dolette McDonald & Janice Pendarvis (Backing Vocs).

Oh the clever
things I should say to you
They got stuck somewhere
Stuck between me and you

Oh I’m nervous
I don’t know what to do
Light a cigarette
I only smoke when I’m with you

What the hell do I do this for?
You’re just another guy
OK, you’re kind of sexy
But you’re not really special

But I won’t mind
If you take me home
Come on, take me home

I won’t mind
if you take off all your clothes
Come on, take them off

‘Cause I like you so much better when you’re naked
I like me so much better when you’re naked
I like you so much better when you’re naked
I like me so much better when you’re naked

Poker face

3 November 2009

In case you haven’t seen it yet. You gotta love Christopher Walken.